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14 UMMA Objects
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Chinese (Chinese (culture or style))
Separated cuffbands: Deer and crane under plum blossom on silk
19th century
Gift of Mr. and Mrs. Herbert W. Johe
1989/2.39.2
A fan mounted on an album leaf with ink paintings of flowers and plum blossoms and calligraphy.
Qian Juying (Ch'ien Chü-ying)
Flowers and Plum Blossoma
1861
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1969/1.102
There are branches with plum blossoms coming from a tree. There is a signature and stamp on the left side of the hanging scroll. The hanging scroll is bordered with a brown design.
Kanō Tan'yū
Plum Blossom
17th century
Gift of Mr. and Mrs. Milton Williams, Austin, Texas
1980/2.162
There is a plum branch with a bird on it. The branches are really thin with tiny flowers on them. In the bottom right corner, there is a signature and a date. Surrounding the paper is a border with gold flowers for the design.
Maruyama Ōkyo
Bird on a Plum Branch
1750 – 1799
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1964/1.105
Hanging scroll depicting two birds at the center perched on branches. One bird has its tail pointed straight up while the other bird appears to be looking down. Small blossoms adorn some of the branches. An inscription is located in the upper right corner. The painting is framed by strips of silk attached to its edge.<br /> <br /> This painting depicts two birds sitting on flowering plum branches on a spring day. The tail of the bird on the vertically standing plum branch sits upright in parallel with the branch. The lower part of the painting shows drooping tree branches and willow leaves upon which the second bird sits, looking downwards. The plum flowers which evoke a sense of spring and the birds with their splendid feathers, echo the inscription on the upper-right corner: &ldquo;Welcome spring with its myriad colors (迎春滿色).&rdquo; The work features diverse colors in the style of the nineteenth-century folk paintings. It is currently framed by strips of silk attached to its edges. <p>[Korean Collection
Korean (Korean (culture or style))
Birds and Flowers
19th century
Gift and partial purchase from Bruce and Inta Hasenkamp, purchase with funds from Elder and Mrs Sang-Yong Nam
2021/1.165
Vase with &quot;tea dust&quot; glaze and plum blossom branch handles. It is on a thick footing and a everted wavy rim.
Chinese (Chinese (culture or style))
Vase with "tea dust" glaze and plum blossom branch handles
19th century
Transfer from the School of Art and the College of Architecture and Urban Planning.
1997/1.193
The first panel depicts 5 individuals. The oldest person is centered in the middle with two younger people above him, with the one on the right holding what appears to be a cane or stick. The old man looks to be carrying the two individuals. Below him are much younger individuals both appearing to hang onto the older individual. The one on the left is grabbing his leg while the right individual appears to grab his midsection. In the left corner is a pot fallen on its side. The upper left includes an inscription in black and red ink.&nbsp;<br /> The second panel is of 2 individuals, one appearing to paint on a piece of pottery while the other individual watches.&nbsp;<br /> The third panel shows a plum tree with a small red inscription on the left.<br /> The fourth panel is of bamboo with a small inscription in red ink to the bottom right.&nbsp;<br /> The fifth panel depicts a pine tree with a faint mountain in the background.<br /> The sixth panel depicts one man with a bun and an inscription on the uppe
Ikeno Taiga
Scholarly Occupations and The Three Friends (Pine, Plum, Bamboo)
18th century
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1961/1.174
In this print, a grey-robed man with unbound hair looms over a warrior who is half-kneeling on the ground. The warrior’s robes are patterned with plum blossoms, and he carries several swords.  Behind him, a wheel and bamboo mat are visible in disarray.<br /><br /> This is the center panel of a tryptich (with 2011/2.199.1 and 2011/2.199.3).<br /><br /> Inscriptions: Fujiwara Shihei; Umeomaru; Kuniyoshi ga (Artist's signature); San (Publisher's seal); Mera, Murata (Censors' seal)<br />  
Utagawa Kuniyoshi (Japanese (culture or style))
Sugawara no Michizane and the Secrets of Calligraphy: Bandō Mitsugorō IV as Fujiwara Shihei and Seki Sanjūrō III as Umeōmaru
1850
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2011/2.199.2

Chinese (Chinese (culture or style))
Plum Blossoms and Rock, from the Mustard Seed Garden Manual of Painting
19th century
Museum Purchase
1955/1.68

Chinese (Chinese (culture or style))
One of two separated cuffbands: Flowers and birds under plum and peony blossoms,
19th century
Gift of Mr. and Mrs. Herbert W. Johe
1989/2.35.1

Chinese (Chinese (culture or style))
One of two separated cuffbands: Flowers and birds under plum and peony blossoms,
19th century
Gift of Mr. and Mrs. Herbert W. Johe
1989/2.35.2

Chinese (Chinese (culture or style))
Clear Stream with Prunus, after Huang Chu-ts'ai
16th century
Gift of the Estate of Agnes E. Meyer
1971/2.109
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